Joe Bar

August 25, 2014, 9:06am

Amanda Manitach on Painting, Feminism, Whiskey and T-Shirts

Knowing what to expect from Amanda Manitach is a tricky endeavor. The Seattle artist, writer and curator has linked the goring of a matador to menstruation, through imagery of red platform stilettos and dripping shards of beets. She has embroidered lambs’ tongues with clusters of tiny, antique beads, discarding the meticulously renedered work upon completion. She draws and paints works on paper that fuse classical nudes, horses detailed with prominent genitalia and melancholic ghost figures. But, a pair of legs in black stilettos walk behind the lamb tongue scene, and the tongue’s bulbous shape billows like the clouds that tint her watercolors, amending the surprise that the abrubpt shifts within her body of work evoke with the sense that perhaps we should have seen this coming, after all. A similar sensation continued in my conversation with Mantiach on her new show, T-Shirts, at Seattle’s Joe Bar, during which we discussed Instagram inspiration, third-wave feminism, sex murder, and the time she lied about her relationship with painting. – Erin Langner, Seattle Contributor


Amanda Manitach | Ten Reasons Having A Dick Sucks
, ink on paper, 18 x 24 inches, 2014. Image courtesy of the artist.

Listed under: Interview

September 19, 2012, 8:25am

Where to draw the line: A Conversation with Bette Burgoyne and Jed Dunkerley

I sit down at a bar at the north end of Seattle’s Capitol Hill neighborhood with two artists whose work is the definition of obsessive, both in technique and content. Neither of them identify as OCD or autistic.

Listed under: Artists on Artists, Seattle

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