Kavi Gupta

April 17, 2015, 8:39am

Angel Otero: The Scarlet Self

There are entire worlds—entire existences—suspended within there, floating up to gazes which have been detached long enough—or ran down, heaving and glassy eyed, caned and fatigued—to pick up on such things, looming forms ascending like the prophetic pyramid out of the cuttlefish-ink abyssal  underbelly of an 8-ball, rising and falling and materializing out of the blood brume; there are entire continents, cream continents adrift in an angry sea of cadmium, a granular expanse—as if someone chunked up a block of anatomist's arterial wax, dumped it into a pneumatic cannon, and proceeded to broadside raw canvas—ripe for pareidolia. Their borders are fringed, cloudy, a particulate demarcation of crimson gnats, and that fuzz is really what the fuss is all about, an adroit—if blatant, once one sees it—analogue to the fungible nature of perception, memory, and self; there are images contained within the blood brumes, although it is only by the grace of Angel Otero's exposition that we are privy to this, as they have been translated, riven, reconstituted, and then pressed—like a witch!—into their current, beautifully abused form; these were photographs once, the ultimate form of mimesis, until a triturator has placed his hands upon them, riven them, splayed them…and look at the bloody, powdery mess made of ipseity now!  – B. David Zarley, Chicago Contributor


Angel Otero | I am the place I come back to, 2015, silicone and cadmium pigment on canvas, 96 x 120 x 2 inches. Photo courtesy of Kavi Gupta.

Listed under: Review

March 16, 2012, 8:15am

Reinvention: a Q&A Session with Adam Scott

I recently went to Kavi Gupta Gallery in Chicago to see Antonia Gurkovska's first solo show with the gallery, after viewing her show I stepped into Kavi's second gallery where a group show of his artists was installed.

Listed under: Chicago, Interview

November 25, 2011, 8:15am

Chicago Works: Scott Reeder at the MCA Chicago

It is difficult to think about Scott Reeder’s work without the word “funny” coming to mind. The Museum of Contemporary Art Chicago recently opened up with the Milwaukee-native’s first museum show that features his colorful, faux-naïve paintings of smoking fruit, symmetrical pirates, protesting pandas, and humorous still-lives: the usual suspects in Reeder’s art historical and pun-based visual jokes. The exhibition also includes Reeder’s newer untitled spaghetti paintings, made using raw and cooked noodles and spray-paint. Upon entering the MCA, visitors are confronted with a massive, two-story, raw spaghetti painting; commissioned specifically for the show. - Josh Reames, Chicago Contributor

Listed under: Review

April 26, 2011, 12:45pm

What's Next for NEXT: Q&A with Curatorial Director, Ken Tyburski

Photo credit: Timothy Tompkins, Explosion_v3, 2010.

Listed under: Art Fairs, Art World, Chicago, Features, Q&A

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