February 25, 2018, 8:45am
God, let's just start with a list, right?, and if it seems a bit daunting, just imagine poor fucking Linnaeus, setting forth to categorize sundry and all living things, whereas this is but a brief run-down and accounting for of some of the shapes-a sampling of the vast geographic ecosystem-of Magalie Guérin's (NAP #119) worlds, shapes anatomical/biological-flesh-colored trash bags, barred teeth, raw nails, conch snail shells-shapes mechanical-vintage car grills and taillights and doors and bench seats, mid-century modern chairs, shafts of lamp light from a noir gumshoe's desk, perfume bottles, awl handles, backsplash tiles, famished walls with studs showing, the glowing jukebox flanks of a sci-fi set, the curled remnants of a high school art class pastel set's cover paper, the ribs of rent cardboard-all nestled up amongst each other in the cool colors of pallid death or the never-living, enamel and sclera and cream and subcutaneous fat, contractor wall color and brutalist concrete and refrigerator light … and the paintings are none of those things, not really; well, they are all of those things, but only to me, on a Sunday morning in February, aided/impeded by time, distance, memory, an exercise in form until the very end … - B. David Zarley, Chicago Contributor
Magalie Guérin | Untitled, 2017. Oil on canvas on panel. 20 x 16 inches. Image courtesy of the artist and Corbett vs Dempsey, Chicago.
December 01, 2017, 9:11am
I have said it before, but one of my greatest joys these days is watching the careers of artists featured in New American Paintings explode. Working with curators, we review the work of more than 6000 artists every year and try to identify those who are exceptional. We take this job VERY seriously.
The way the art world is structured these days, there is, perhaps, no bigger stage to present your work than Art Basel Miami. Thousands of art lovers attend each year and just about every major collector and curator from around the world is there. There are at least two-dozen of our alumni on view this year, which is extraordinary. Some of these artists, such as Jordan Casteel and Loie Hollowell, have gained international attention just in the past twelve months. If you receive New American Paintings, as hundreds of collectors and curators do, you would have discovered their work before they entered the gallery system. Join us. – Steven Zevitas, Publisher
May 24, 2016, 10:05am
For the second year in a row, EAM is organizing the exhibition New American Paintings: Midwest Edition. Based on the acclaimed juried publication, an exhibition-in-print, this year’s version was selected by Kelly Schindler, associate curator at the St. Louis Contemporary Art Museum, and features an equally diverse group of artists and practices from across the Midwest. The thirty-nine artists participating in this year’s NAP broadly span the spectrum of varying themes in contemporary painting, including figural representation, material studies, optical abstraction and spatial depictions, while continually redefining the limits of formal categorization. EAM’s exhibition includes a combination of works featured in the catalogue and new works by selected artists in an effort to expand our understanding of this most traditional and fluid of artistic mediums.
Issue #119...Cover Artist, Alex Jackson