Making [in] Dallas

September 16, 2013, 8:30am

MAKING [IN] DALLAS: VOLUME 3

Volume III: JOSH REAMES BRINGS TRIPPER TO CIRCUIT 12

Located in the Dallas Design District, Circuit 12 is run by husband and wife team Dustin & Gina Orlando. The Orlando’s sharp and ever searching eye brings a national and international freshness to a sweltering  arts community that’s thirsty for a new flavor. What sets Circuit 12 apart is what could be thought of as the “cult of color” that the gallery presents.  The space offers a crisp, brash and theatrical flair to a community that, at times, treads lightly. The gallery extends invitations to curators for their Regional Quarterly series that opens the space to experimental exercises from Texas based artists, exposing work that might not otherwise make it to Dallas. For their current show, Circuit 12 mounted Tripper, a solo show from Chicago based artist Josh Reames. The paintings in Tripper flicker light and are full of an absent neon glow that references your local corner stores cheap beer signage. Unlike the trap of a promised R&R scenario that those signs offer, Reames’ work never takes a break. It’s in constant motion and only interrupted by abrupt, painfully ordinary images. In their blatant dumbness the works beg to be dismissed as trite, formulaic approaches to painting. But Reames’ masterful sense of space and line pull these out of the naïve conversation. After recognizing their formal power, the paintings reminded me how Sean Penn’s understanding of his craft allowed for Spicoli to exist. Reames, like Spicoli challenging the oncoming wave, surfs abstraction; “Surfing's not a sport, it's a way of life, it's no hobby. It's a way of looking at that wave and saying, ‘Hey bud, let's party!’" Indeed. Arthur Peña, Dallas Contributor

Listed under: Interview

March 22, 2013, 8:30am

MAKING [IN] DALLAS: Volume 2

Vol. 2: Charles Mayton, The Power Station and the Long Vision

Before I go any further, here is some official literature about The Power Station:

"The Power Station is a not-for-profit initiative dedicated to providing a platform for ambitious contemporary art projects in Dallas, Texas. Housed in a Power & Light building constructed in 1920, artists are invited to respond to the raw character of the architecture, offering an alternative to the traditional gallery and museum context.

Listed under: Dallas, Q&A

February 22, 2013, 11:30am

MAKING [in] DALLAS

I’m not gonna say that Dallas has a “burgeoning art scene.” It’s been here and it’s full of artists who are not tied to a specific idea of what it is like to exist in a cultural mecca. There is a shit ton of space: warehouses are being flipped into DIY studios, abandoned buildings are being utilized for performances and pop up group shows and there is a re-introduction of artist run galleries and raw experimental spaces. Top notch venues such as Dallas’ Power Station and Forth Worth Contemporary Arts are bringing in international artists and sparking much needed conversations as well.

Listed under: Dallas, Features

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