Richard Serra

January 15, 2018, 10:36am

You Had Me At Hello: 150 Contemporary Artworks That Altered My Consciousness - Part 3

I look at a lot of art. Some of it good, some of it bad. Every once in a while, I come across artwork that fundamentally changes me, even if I don’t understand it at the time. A friend of mine recently asked me which works had had the greatest impact on me over the years, so I compiled my thoughts. This is not a greatest hits list and many artists I love are not included in it. These are all works that have been, for whatever reason, seared into my brain. To be honest, there are a number of artists on this list whose overall practice I am not a particular fan of, yet, they got to me at least once. – Steven Zevitas, Publisher

Listed under: Art World, Noteworthy

July 17, 2015, 9:41am

Printmaking, Abstraction: “Zero to One on Paper” at Ratio 3

There’s a piece of public art installed in the Mission Bay neighborhood of San Francisco that is quintessential Richard Serra. Two 80-ton steel slabs emerge from ground at a slight angle, tilting vertically as they extend 50 feet into the air. Like other works by Serra these are experiential sculptures, un-monuments meant to affect the way we perceive the space around them. That work is titled “Ballast,” referencing the performative heft of the piece as it serves as a kind of anchor in a transitive cityscape. Serra’s etchings at “Zero to One on Paper,” on view at Ratio 3 through August 21, share the same name, though in this case the titles are “Ballast II” and “Ballast III”. Like his  public sculpture at Mission Bay the works at Ratio 3 are monolithic and textural, anchor-like in the expansive gallery space that also has works by a host of painters and other artists making editioned work on paper. - Matt Smith Chavez, San Francisco Contributor

Zero to One on Paper, July 2 – August 21, 2015, Installation view: Ratio 3, San Francisco, Courtesy of the gallery

Listed under: Review